Figs.
115 : Supplementary black and white pictures
- Fig.
1. The
centre of Roman Canterbury c. AD 300.
- Fig.
2. The
centre of Anglo-Saxon Canterbury c. AD 650.
- Fig.
3.
Plan of Canterbury today showing major sites and landmarks.
- Fig.
4. Plan
of the Roman town with major features.
- Fig.
5. Canterbury
just before the Roman Conquest.
- Fig.
6. Roman
Canterbury. Artist's impression of chaps at the baths.
-
Fig. 7.
Roman Canterbury. How a hypocaust worked.
- Fig.
8.
Roman Canterbury. A selection of finds from central Canterbury.*
-
Fig. 9.
Roman Canterbury. The Roman town wall at Northgate.
- Fig.
10. Roman
Canterbury. Worth Gate and Quenin Gate.
- Fig.
11. Roman
Canterbury. Riding Gate.
- Fig.
12. The
end of Roman Canterbury. The Family Grave.
- Fig.
13. Anglo-Saxon
Canterbury. A selection of finds from central Canterbury.*
- Fig.
14. Anglo-Saxon
Canterbury. Artist's reconstruction of a house or workshop.
- Fig.
15. Viking
Canterbury. A rare Viking find from the town.
*These
have detailed descriptions below.
Fig. 8.
Roman Canterbury. A selection of finds from central Canterbury
Pottery
The Romans were masters of mass-produced pottery, both moulded and
wheel turned.
Band of decoration from the rim of a samian bowl made from a mould
and imported from southern Gaul. The pattern of the missing fragments
(sherds) is drawn in, in broken lines. This can be done by examining
more complete examples of the same type. Glossy red colour.
'Poppy-head' jar made in the north Kent area where there
was an extensive potting industry in Roman times. Grey, smooth
and very fine to the touch. Wheel made.
'Dog dish' made in Roman Britain. Used in the kitchen.
Well made on a wheel.
Painted
wall plaster
Fragment of painted plaster from a decorated internal wall of a
Roman house. The piece shows the dancing feet of a female figure
in a swirling dress. Other pieces found show that the top of the
wall was decorated with yellow chains and blue flowers.
Carpenter's
square
This precision tool was used by a joiner or furniture maker to mark
out wood before cutting and for testing the accuracy of angles of
joints during construction. It was made from sheet bronze and cut
to the shape of an isosceles triangle (with a central piece cut
out). A straight 'arm' projects from one corner, forming on one
side a right-angled triangle with the hypotenuse and on the other,
an angle of 45 degrees with the base line. There is a perforation
at the decorated end so the tool could be hung up when not in use.
A base plate allows the square to stand on a flat surface. The incised
inscription of G CV VALENO indicates the name of the owner, a Roman
citizen. A rare find.
Medical
instrument
Known as a scoop-probe, this physician's tool had two functions.
The long, dished end cleaned out ears and the short rounded end
was used when examining various parts of the body. Made from a copper
alloy.
Brooch
Beautiful example of a brooch made from a copper alloy with white
metal (possibly silver) inlay in a wave scroll design.
Hair
or clothes pin
Pin carved from jet. In York, archaeologists found the hair of a
Roman woman with jet pins holding the style in place.
Pins
from a pin maker's workshop
A group of many unfinished and finished bone pins and waste material
was found in the area of the Public Baths. They indicate the presence
of a workshop. The raw material used was bone from the lower legs
of cattle, recycled after butchery by the craftsman. There was a
good supply of the material and it could be easily worked. Few tools
were needed to make pins, probably only a chisel or axe and whittling
knife. A lathe was rarely used. The pin to the left in Fig. 8 is
unfinished (the shaft needs more work) while the one to the right
is finished.
Finger
ring
A copper alloy ring with glass setting. On the shoulders of the
ring are two stylised dolphins. A rare find.
Fig. 13.
Anglo-Saxon Canterbury. A selection of finds from central Canterbury.
Pottery
Hand-made cooking pot or jar with 'chaff' tempering. Dark grey.
Hand-made jar made with sand-temper and decorated with bands of
grooves. Dark grey.
Brooch
Made in a copper alloy. Note the 'ring and dot' decoration again.
Pin missing.
Hair
or clothes pins
All 3 were made by casting in a copper alloy. Notice the 'ring and
dot' design like the comb. Copper alloy objects turn from a bronze
colour to a greenish-brown in most conditions over time.
Strap
or belt tag
These were quite commonly used. Two sheets of the copper alloy tag
were rivetted together to enclose and secure the end of a fabric
belt or strap and prevented fraying.
Whetstone
For sharpening blades (small cooking or cosmetic knives, for example).
Carved from metamorphic rock (purple phyllite) with hole for suspending
from perhaps a belt or hook.
Clasp
or tag
Beautiful example of silver working. Probably a dress or purse fastener,
decorated with Anglo-Saxon interlacing design and stylised animals.
Could be sewn onto garment or purse through 2 perforations at the
bottom.
Bead
decoration
Made of brass wire strung through 1 large blue and 2 small yellow
glass beads. Finding such ornaments still in position in inhumation
graves shows that they were usually worn at the chest, perhaps sewn
onto a tunic or dress.
Comb
Made from animal bone with iron rivets to secure side plates. The
use of recycled animal bone was very common in the past. Decorated
with 'ring and dot' design.