Archaeology in the Classroom: Introducing some basic conceptsCertain concepts can be introduced to children as early as Key Stage 1. You can talk about 'Old and New' buildings and objects, things which last a long time and ones which soon rot away. At Key Stages 2 and 3, these concepts can be developed further and others introduced. CONCEPT 1: 'How
do we know it happened?': Evidence.
Children should see that there is a whole variety of evidence for the recent past.However, when we go further back in time, primary evidence becomes more scarce. We could think back as far as Roman times for example. From the relatively few contemporary written works that have survived (primary sources) and the various copies made subsequently over the centuries (secondary sources) we know that the Romans were a literate society. We know about accounts of military conquests, various commercial transactions, about plays, poetry, letters and other public and private matters. Although it is often fragmentary, the variety and quality of both the primary and secondary sources now available to us illustrates significant capabilities of the Roman people. However we are dependant on what the ancient writer chose to record and what has managed to survive. A great deal more written evidence must have existed but for a multitude of reasons (fire, chance, loss, deliberate destruction) it has been 'lost' through time. At a local level, the Roman name for Canterbury comes from documentary evidence. It is recorded as Durovernum Cantiacorum in the Antonine Itinerary of c.AD220. This was a collection of 225 routes along the roads of the Roman Empire. Stopping places were also recorded. However, we would know little about the Roman town if we relied solely on the written sources. Almost all of our knowledge comes from another type of evidence... This is where Archaeology comes in ... |
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Here, a small number of questions have been constructed which can be applied exactly to both modern and ancient objects (as in Activity 4). While they show the range of possibilities you will decide how much to use.
You can approach the questions on different levels according to the time available and the children's experience and abilities. For example, in Question 3 you can discuss what the box is made of and could then go on to consider what this tells us. The word 'material' may be unfamiliar to some children in the sense used here. 'Stuff' may be more appropriate!
Things to use
in the exercise:
'Big Mac' boxes. Other uses of polystyrene (packing chips, egg box, plant
boxes). Examples of moulding (jelly mould, badge moulds, moulded chocolate
figure).
SOME QUESTIONS
TO THINK ABOUT
You can
find out a lot by looking and feeling. Some questions need a little research.
Q 1. Can you
tell what the object is used for?
You will have to pretend you don't know and there is no writing on it.
Its enclosed shape and lid suggest that it contains something. Solid or
liquid?
Q 2. Is it
a common or rare object?
Very common. We know because we've seen masses of them. This suggests
there is a high demand for Mcdonald's food and that boxes are relatively
easy to produce.
Q 3. What material
is it made from? Is it a natural material or man-made?
Polystyrene foam. Man-made material. We do not come across it in the natural
world. This shows us that the technology exists to make new materials
to suit our needs.
Q 4. Is this
a good material to use?
Hold the box firmly between your hands for several seconds and it will
conduct heat. This material is suitable for keeping something warm. It
is clean, light to handle and transport. Think of other consumer items
made of polystyrene. It is a very versatile material. These qualities
are beneficial to both the company and the consumer. But the material
is not biodegradable.
Q 5. How has
it been made? What does this tell us?
The standard size and shape (remember we have seen lots of them so we
know this), regular lettering, impressed image and absence of joins show
us that it has been moulded in one piece. You can relate this to jelly
moulds and moulded chocolate figures. The 'hinge' allows the box to lie
flat (good for stacking) and to close, retaining heat and making it compact
to handle. This all suggests mass production. Mass production means a
relatively cheap product for the consumer.
Q 6. What is
the purpose of any decoration, colour or writing on the box?
Describing the contents and logo advertising company. Colour helps assistants
to pick out right box quickly. CFC FREE - no Chloro Fluoro Carbons in
the gases used to make the polystyrene foam. Note 'Don't litter' image.
The '100% beef' promotes a 'quality' image. Mcdonald's use CFCs and litter
details to try and promote an environmentally friendly company.
Q 7. Do we
see these boxes in other parts of the country? Do we see them abroad?
Mcdonalds fast food restaurants originated in the United States and they
are now found in many towns in this country. What about other countries?
There is a high demand for Mcdonald's products. In this respect it is
clearly a successful company with extensive marketing networks. There
is even a Mcdonald's at Pompei! (the new town, that is).
Q 8. What happens to the box after it has been used? It is intended to be thrown away. It has served its purpose and is disposable. However, children may say they keep them for nick-nacks etc.
Q 9. Do you think the box is a valuable object? What does 'valuable' mean? In monetary terms, the box is not of value. There are too many of them and they are not made in a precious material. The box may however become a collector's item in the future. It is of value to McDonald's (boxes don't need washing, don't break, desirable qualities of material used, mass produced) and of value to the customer (convenience food can be eaten almost anywhere giving more freedom of choice).
ACTIVITY 4: Looking at artefacts to find out about the Romans.

In the archaeological
sense, a man-made object is called an artefact. Archaeologists deal with
both man-made and naturally occurring objects (eg. bones, shells). They
call them collectively finds.
Here are some of the things we want to learn about when we examine finds:
In this next exercise
you will focus on what we can learn from an artefact.
You will be
asking the same questions that you asked about the Big Mac box in Activity
3. You can apply them to any artefact. Some artefacts will have more information
to offer than others. Again, certain questions will need some research
before you can answer them.
Try taking a whole Roman pot or broken piece (a sherd) and see what you
can find out about life in Roman times.
You can get a lot of information from just a fragment.
Things to use in
the exercise (see 'Kent Contacts' for loan boxes)
Whole vessel or sherd of Roman pottery
Modern ceramics for comparison
Lump of natural clay
Other Roman clay artefacts (tesserae, tile, lamp, different pottery)
Examples of modern moulding (as Activity 3)
Q 1. Can you
tell what the object was used for?
Look at the shape. Do we use anything today that has a similar shape?
Do you think it contained something? Liquid or solid? Can you estimate
how big it was? Where appropriate you could have a modern equivalent to
hand . A Roman pot may well have had more than one use in its lifetime,
as we re-use containers today.
Q 2. Was it
a common or rare object in Roman times?
Pottery was very common. We see it in museums, pictures in books, and
through contact with archaeologists we know that masses of pottery is
dug up from sites.
Q 3. What material
is it made from? Is it a natural material or man-made?
Clay. A natural material. Show children a lump of raw clay. Do they know
about the nature of clay, its properties and where it comes from? What
do we use clay for today?
Q 4. Was this
a good material to use?
Handling the raw clay will show children how pliable it is. The pottery
shows them how it is transformed when fired. It becomes very strong -
but will break if you drop it! Clay can be worked and decorated to become
very attractive pottery.
The pottery alone shows us that the Romans knew about the properties of clay and that they had the technology to produce quality goods. The quantities of clay objects that archaeologists find are evidence that it must have been a readily available resource in Roman times. They exploited its versatility to make tesserae for mosaics, figurines, water pipes, lamps, wattle and daub walling, kilns and ovens. Tones of red, pink, cream, white, grey and black could be produced depending on the type of clay and how it was fired. London Clay is found between Canterbury and the north Kent coast. Discoveries of kilns show that this was one area of pottery, brick and tile manufacture.
Q 5. How has
it been made. Does this suggest anything?
Is the pottery smooth and regular in shape? Is a broken edge (the section)
even in thickness? Then it was probably thrown on a potter's wheel. It
may even have throwing lines on the inside. Is there an elaborate decoration?
Then it may have been formed in a mould. Jelly moulds etc. will help children
to understand the technique. Press a flattened piece of clay into a mould
to demonstrate. Both methods show that Roman potters had considerable
technological skills in making pottery and firing it successfully. We
can see potters today still using these techniques. Both types of manufacture
suggest mass production. Mass production suggests considerable demand.
Samian ware potters really exploited the use of moulds, making glossy
red vessels with lots of intricate decoration. The shiny surface is not
a glaze. It is likely that it is due to a mineral in the clay called illite.
The Romans did know about glaze but they used it very rarely. The masses
of unglazed Roman pottery that we find show us that potters did not exploit
this skill.
Q 6. What is
the purpose of any decoration, colour or writing on the pottery?
Different colour tones and decoration are attractive to look at. You may
have a sherd with the potter's name, or the 'company' name, stamped on
it. Sometimes it is just a distinguishing mark. A stamp was probably a
form of advertising and may also have served as a tally. Quantities of
pots produced by an individual or company could be assessed by counting
up numbers of vessels bearing the same stamp. In the Roman world, as today,
individual workshops often had their own 'house style'. Samian was very
distinctive and archaeologists think that the different decorative styles
were another way of advertising, like a trade mark. Archaeologists divide
Roman pottery into two main categories. The Coarse Wares are generally
jars and bowls, often plain grey or black and are found in great quantity.
The Fine Wares are decorated, more delicate and include red, white and
cream tones. It may be that poorer people could only afford to buy the
coarse wares. It is quite likely that wealthier people bought a variety
of pottery, using some for the kitchen and storage and the finer pieces
for serving at the table.
Q 7. Do we
see Roman pottery in other parts of the country? Do we see it abroad?
Have children seen pottery in museums on holiday or day trips? Whenever
a lot of Roman pottery is found on a site in this country, this is first
of all evidence that there was some kind of occupation there in Roman
times. If we have discovered where a particular type of pottery was made
and then we find it turning up consistently elsewhere in the country (or
abroad), this is evidence that the Romans traded their products. By linking
where artefacts were made with where they are found by archaeologists,
we have learned that the Roman world had extensive trading systems.
Q 8. Do you
think people kept the pots to use again or did they throw them away?
Considerable effort went into making pottery. It is unlikely it was thrown
away until broken beyond use. When this did happen, it must have been
easy to buy some more as Roman pottery appears to have been plentiful.
It is likely that some vessels had many uses beyond their original function.
Q 9. Do you
think the pottery was valuable in Roman times? Is it valuable today?
If you have a piece of samian and some grey pottery ask children which
they think would have been more valuable and why. A dish doesn't have
to be a work of art and expensive to be 'valuable' in the sense of 'useful'.
Archaeologists have found that compared to silver and bronze vessels, pottery was very common in Roman times and therefore presumably of less monetary value. No doubt some unusual pottery and vessels showing high quality workmanship cost more than others and were therefore considered more valuable in a monetary sense. Archaeologists have found evidence of samian pottery being repaired in Roman times. Some pots show that the owner had joined broken pieces with metal 'staples'. We can certainly say that the large numbers of ceramic dishes, cups, flagons, jars, plates etc. that we find for both the Roman kitchen and table are evidence that pottery was very useful.
Today, surviving whole vessels are relatively rare. They tend to be found in graves where they have been left undisturbed for centuries. These would have a certain 20th century monetary value. To anyone interested in the past however, the true value of artefacts is in the information that they hold about the people who once made and used them.
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